Behind the scenes

I’ve been invited to attend a mini-conference at Hochschule Bremen on using mobile technologies and user-contributed content in developing guided tours of heritage sites.  Let me first observe that Bremen is not an easy place to get to (or indeed away from) if the other end of your journey is Edinburgh. My round trip to attend this mini-Conference at the Hochschule Bremen involves flying from Edinburgh to Luton, then on from Luton to Bremen. The return leg – starting with getting up at 5am – involves a train journey from Bremen to Hamburg, another journey out to the airport, then a flight to Birmingham, and finally a flight back to Edinburgh.

So here I am now in the famed Luton Airport (immortalised by Lorraine Chase, but latterly more famous with a voice-over by Tony Robinson). This is the first time I’ve been in Luton Airport (or as it now grandly titles itself London Luton) since 1973, when I was a mere child and was flying out with my family on a package holiday to Tunisia – the first time I had been abroad. I can remember very little about it, apart from the fact that it was with Horizon Holidays (who later went bust) and that the garishly-painted plane we boarded was named ‘Halcyon Days’. I suspect it’s changed quite a lot in the intervening thirty-four years.

The EasyJet flight down from Edinburgh was fine – no frills needed on such a short journey, after all. Unfortunately, I’m now left with a couple of hours wait before I can check in. Oh well, at least there’s somewhere to site down. I may treat myself to something to eat shortly.

It’s a long time since I posted anything, but at last I’ve got around to writing up ‘What I did on my holidays’. I’d saved up my annual leave so I could visit my brother in New Zealand in July - it’s such a long way that you need to go for a good while to make the long journey there and back worthwhile. But don’t worry, I’m not going to bore you with the details of the journey and the many failings of British Airways. Well, not right now, anyway.

One of the stranger consequences of presenting at Museums and the Web in April was being buttonholed after my talk by Wallis Barnicoat from Te Papa, the national museum of New Zealand, who was interested in what I’d been saying about our project working with many partners, most of them small, volunteer-dependent museums. I fooloishly mentioned that I would be in New Zealnd in July, and she immediately asked me if I could come and speak to her team. For a moment or two the thought “But I’ll be on holiday” struggled with my desire to tell people about the good things we’ve been doing. The latter won easily, though, and I agreed. The exact details of how I would get from Wanganui to Wellington and back, and when, were arranged later by email.

I ended up recapitulating my mw2007 talk for the museum development team in Te Papa in the morning, and repeating (a slightly amended version of) my presentation at Digital Dialogues in June to a larger group - including people from elswhere in Te Papa as well as the National Library and National Archives - in the afternoon. The thematic link between the two is that technology available freely (or at least very cheaply) enables us all to do things both alone and in collaboration that only a few years ago would have seemed to be well beyond our capacity and certain to be absurdly expensive. In particular we have ways of engaging with existing and new audiences that we couldn’t have developed ourselves - sometimes it’s just a question of looking at things from a different angle to see how we can use them. The talks went pretty well, though I was asked some hard questions, particularly by the afternoon crowd. That’s good as it keeps you on your toes and gets you thinking. I feel I can always answer any question - provided that “I don’t know” counts as an answer :-).

What is encouraging for us in East Lothian is to see that even a small local museum service can innovate and do things that others will look to copy. We can be a model for larger institutions, here and abroad; we have things to say and to teach. Sometimes the lack of resources is itself a spur to new ways of working (that’s management-speak for ‘necessity is the mother of invention’).

A slight disappointment was that I saw more of the offices than I did of the museum. But I can’t really complain - after all, I can now say that our influence reaches right around the world! What I haven’t done, though, (and in some ways I am writing this to remind myself to do so) is to follow up the contacts I made in NZ. There’s always potential for collaboration in new projects - in fact in writing this I’ve just had an idea, but I’m keeping it secret for now…

Textille artist Malcolm Cruickshank, who has created the wonderful kilts on display at Prestongrange Museum’ Power House exhibition space, came in on Friday to do a feltmaking workshop for 5 to 12 year olds. It was a big success, and some of the participants’ creations are pictured below.

More info about Malcolm’s show, Haute Kilture, which is at Prestongrange until 19th August is here.

Also, see more about the show here, in the blog entry from July 28th.